CONSERVATION-RESTORATION TREATMENTS OF POLICROMED CLAY MONUMENTAL SCULPTURES

Authors

Keywords:

Sculpture, Clay, Conservation-Restoration

Abstract

The monumental sculpture in baked clay exists monochrome or polychrome, inside and outside religious buildings, throughout the territory Portuguese and from the fourthteenth to the 21.st century. Execution techniques also vary. May
have thin or very thick walls, have or not interior sleepers and be seccioated or not. Due to their technical and physical characteristics, the respective Conservation-Restoration treatments require special care. This is the example of the altarpiece of the Mystic Wedding of St. Catherine of her monastery of Carnota, reliquaries of the sanctuary and sculptures of the horizontal plane of the altarpiece of St. Bernard of the Monastery of Santa Maria de Alcobaça and the sculpture of the Divine Saviour of his church of Santarém.

Author Biography

André Godinho Varela Remígio, Santo André - Conservação e Restauro de Bens Culturais

Bacharel e licenciado em Conservação e Restauro pela Universidade Nova de Lisboa (UNL); Pós-Graduado em Direito do Património Cultural, pela Faculdade de Direito da Universidade de Lisboa (FDUL), com tese “A Conservação e Restauro e o Conservador-restaurador na Legislação Portuguesa.”Conservador-restaurador com atelier próprio, Santo André, Conservação e Restauro de Bens Culturais, tendo como clientes diversos organismos do Ministério da Cultura, Igreja Católica Portuguesa, museus, fundações, autarquias, antiquários e coleccionadores particulares, nacionais e internacionais. É reconhecido juridicamente para dirigir tratamentos de Conservação e Restauro de bens culturais.

IB11

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Published

2021-12-22

Issue

No. 11 (2021)

Section

CONSERVAÇÃO E RESTAURAÇÃO

License

Attri

Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

bution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)