“SÃO PEDRO ARREPENDIDO” (MONASTERIO DE SÃO BENTO DA BAHIA)

AN INITIAL STUDY OF THE TECHNIQUES AND MATERIALS THAT MAKE UP THE CERAMIC SUPPORT

Authors

  • Agesilau Neiva Almada

Keywords:

Sacred sculpture, Ceramic Sculpture, Sain Pedro Arrependido, Techniques and materials, Friar Agostinho da Piedade

Abstract

This work deals with the initial study from the point of view of the techniques and materials of
the sacred sculpture, modeled in clay, “São Pedro Arrependido”, authored by the Benedictine
monk Frei Agostinho da Piedade and belonging to the Monastery of São Bento da Bahia. The
aforementioned study makes a brief presentation of the historical context of sculpture in Brazil,                                                              and then addresses aspects of the life of the Benedictine friar. It continues by dealing with the
constitution of the modeling technique, polychromy, and its current state of conservation, then
bringing up questions related to discussions about the authorship of the piece. The work ends
with descriptive information about the techniques and materials, presenting the technical and
scientific examinations carried out on the sculpture until the moment this work was prepared,
with the aim of understanding the entire process of its construction. This is initial research that
has not yet been completed, however, it raises important questions to be considered and
discussed.

Author Biography

Agesilau Neiva Almada

Conservador-restaurador de Bens Culturais Móveis, graduado pela Escola de Belas Artes, da Universidade Federal de Minas Gerais (EBA/UFMG); Mestre em Artes, na linha de pesquisa Preservação do Patrimônio Cultural, do Programa de Pós-graduação em Artes, da Escola de Belas Artes, da Universidade Federal de Minas Gerais (PPGArtes/EBA/UFMG); e, Doutorando no PPGArtes/EBA/UFMG, na linha de pesquisa Preservação do Patrimônio Cultura, com a pesquisa intitulada “Estudo das técnicas e materiais das esculturas sacras em suporte cerâmico, a partir das obras de Frei Agostinho da Piedade, Século XVII”.

Published

2024-01-21

Issue

Section

MATERIAIS E TÉCNICAS