254pp, 21 x 29.7 cm, paperback.
£15 including UK postage, £16 worldwide
A biblioteca da EBA/UFMG recebeu um exemplar do Artists’ Book Yearbook 2012-2013, enviado pela editora, Sarah Bodman, do Center for Fine Print Research, da Universidade de West of England, em Bristol (http://www.bookarts.uwe.ac.uk/newsdata.htm).
Um dos destaques da edição é o ensaio do Paulo Silveira, “The University and the Artist’s Book”, que menciona o seminário realizado na UFMG em 2009 e o pioneirismo da coleção de livros de artista da EBA/UFMG.
O anuário mostra mais de 600 livros de artista, e inclui listagens sobre: coleções, bibliotecas, arquivos, livrarias, galerias, editores, vendedores, editoras, estudios, concursos, feiras, festivais e exposições, boletins, livros de referência, organizações, sociedades, websites, projetos acadêmicos e cursos.
Ensaios: John Bently on books and community; Earle D. Swope’s extraordinary account of how he came to be a book artist; an update on the work of the collaborative artists’ group AMBruno; a study by Eileen O’Keefe of Sarah Jacobs’ thoroughly absorbing – Drawn from the Inventory: the Notebooks of Elisabeth Faulhaber; Jackie Batey celebrates the 10th issue of Future Fantasteek!; Lawrence Upton has written on his extensive art collaboration with Guy Begbie; Davy & Kristin McGuire explain their beautiful performance piece The Icebook; Nicola Dale looks at the artistic potential of book destruction, and Radoslaw Nowakowski asks: Is a hypertext (artist’s) book possible? Linda Newington explores the book works of SALT + SHAW; Paulo Silveira reflects on the start of his recent academic project: The University and the Artist’s Book, and Reinhard Grüner shows us some of the very special presentation copies of artists’ books in his collection.
Artists’ pages by: Amir Brito Cadôr, Eric Doeringer, Lara Durback, the Idaho Book Artist’s Guild, Susan Johanknecht, Paul Laidler, SALT + SHAW, Clare Thornton and Maria White. Capa de Tom Sowden.
Mais informações: publications page.