Caderno Sesc_Videobrasil 7: A Revista
Editor: Rodrigo Moura.
Colaboradores: Ana Martins Marques, Arnaldo Antunes, Cildo Meireles, Claudia Andujar, Eduardo Costa, Erika Verzutti, Fabio Morais, Jorge Macchi e Rivane Neuenschwander. Edições Sesc-SP e Associação Cultural Videobrasil, 2011
144 páginas. Português/inglês.
ISSN 1808-6675.
Largura: 18,5 cm/Altura: 23,5 cm Lombada: 1,3 cm
A Revista toma seu nome emprestado de uma célebre publicação literária de 1925, do grupo modernista de Belo Horizonte. Sob a edição de Rodrigo Moura e com design da artista Marilá Dardot, a edição propõe uma revista feita de páginas de revistas de arte, cultura e literatura publicadas no Brasil entre os anos 1920 e 1990, e fora de circulação.
Partindo da ideia de estabelecer relações entre trabalhos artísticos, textos e a mídia impressa, A Revista evoca o uso de revistas e suas páginas como espaço para a arte, tanto em projetos criados originalmente para periódicos brasileiros de arte quanto em intervenções pensadas ou cedidas por nove colaboradores: Ana Martins Marques, Arnaldo Antunes, Cildo Meireles, Claudia Andujar, Eduardo Costa, Erika Verzutti, Fabio Morais, Jorge Macchi e Rivane Neuenschwander.
Disponível para compra na loja virtual do SESC.
Acesse aqui o PDF da publicação.
Edited by the curator Rodrigo Moura, the seventh edition of Caderno SESC_Videobrasil, A Revista (Edições SESC; 144 pages) comprises excerpts from Brazilian art and culture magazines dating from the 1920s to the 1990s, in addition to works by artists and writers who comment on said publishing format. The magazine was designed by artist Marilá Dardot.
Faced with the rapidly changing media scenario, the seventh edition of the Caderno sets out to revisit the symbolical and physical character of magazines, not to reaffirm it as much as to deconstruct it and test its limits.
Caderno 7 borrows its title from the famous Minas Gerais-based publication A Revista, founded in 1930 by Carlos Drummond de Andrade and Emílio Moura. In cut-outs from magazines that played an important role in carving out a territory for art in Brazil, such as GAM, Módulo, and Arte em Revista, works by Hélio Oiticica, Lina Bo Bardi, and Nelson Leirner reemerge, among others.
Nine collaborators were invited to create projects specifically for the publication: Arnaldo Antunes, Rivane Neuenschwander, Fabio Morais, Jorge Macchi, Claudia Andujar, Ana Martins Marques, Cildo Meireles, Eduardo Costa, and Erika Verzutti. Pages, news, and typical magazine and newspaper formats inspire a significant share of the collaborations.
“The idea of establishing relationships between these artists’ oeuvres and the media revisited, and of combining written and visual language to create an exhibition of sorts throughout the pages of the publication, is what motivates the invitations,” explains Rodrigo Moura. An editor and art critic, Moura has been the curator of Instituto Inhotim (MG) since 2004.
Caderno SESC_Videobrasil is an annual publication dedicated to in-depth reflection on contemporary art production. Past editions have tackled the resurgence of performance art (2005); the impact of the contemporary experience of mobility (2006); experimentalism in audiovisual production (2007); space occupation strategies (2008); the feminine and feminism in art and life (2009); and contemporary power and influence relationships (2010).
Caderno SESC_Videobrasil 7 will be presented and launched during the last panel of the Southern Panoramas Seminars, Editorial Intentions: Who Reads and Who Writes, What For, on Saturday, December 10, 2:00 p.m. through 6:00 p.m., at SESC Belenzinho’s Concert Room 2. Further information: www.sescsp.org.br/17Festival