Store Days

Claes Oldenburg e Emmet Williams
Store Days : Documents from The Store (1961) and Ray Gun Theater (1962) Selected by Claes Oldenburg and Emmet Williams
Nova York: something else press, 1967
152 p.
28,5 x 22 cm.
Offset

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Acompanha convite/cartão de visita:

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“Store Days is the remainings of the most significant monument of the early 60’s New York art – the events, theories, works and situations surrounding Claes Oldenburg’s Store, which was on the one hand a real place where real sales were made, and on the other a set of ideas whose reverberations are still being felt…

”Store Days is a selection by the artist, with the aid of Emmett Williams, of texts, graphic materials and photos from 1961-62. The documents are presented as directly as possible, since this is no catalogue but the evocation of a seminal moment.“ –from the publisher. Comes with an original business card from the Store’s grand opening.

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https://walkerart.org/collections/artworks/store-days-documents-from-the-store-1961-and-ray-gun-theater-1962-selected-by-claes-oldenburg-and-emmett-williams-photographs-by-robert-r-mcelroy
https://www.printedmatter.org/catalog/10070/
https://www.worthpoint.com/worthopedia/1967-scarce-claes-oldenburg-store-1936084055

Libro n°2, 1972

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Mirtha Dermisache
Libro n°2, 1972

Praga, Florent Fajole, 2008.
Impresso em offset
23,5 x 28 cm
72 p.
ISBN: 978-2-917824-01-6

The graphic practice of Mirtha Dermisache (Buenos Aires, 1940-2012) belong in the space between writing and the visual arts. Roland Barthes has included it in his theory of the “Text” and put her in the section of the “unreadable writings.”

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http://www.lespressesdureel.com/EN/ouvrage.php?id=3778&menu=

Caderno de projetos dedicados a cidade de Veneza

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Paulo Nazareth
Caderno de projetos: dedicado a cidade de Veneza y seus arredores
Santa Luzia-MG/ Veneza-Itália, 2013
15 x 20,5 cm.
40 p.

O artista publicou dois livros idênticos, por ocasião de sua participação na Bienal de Veneza. Um deles, em papel pólen, foi distribuído no pavilhão italiano da bienal, o outro, em papel jornal, foi distribuído na exposição/instalação criada no bairro Veneza, periferia do município de Santa Luzia, na região metropolitana de Belo Horizonte.

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http://projectomultiplo.blogspot.com/2015/09/paulo-nazareth.html
http://artecontemporanealtda.blogspot.com/

Livre d’heures

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Claudio Parmiggiani
Livre d’heures – Dessins de projets
Genebra, Musée d’Art Moderne et Contemporain, 1997
22 x 24 cm
198 p.
ISBN: 978-2-940159-00-0

This “book of hours” is a first time assemblage of a large number of project drawings. Organized by theme, they refuse the elements of a genetic reading which is essential to the work of Parmiggiani, one of the seminal artists of Italy of the 60s – 70s. But it offers an excellent occasion to penetrate the artist’s early formulations of plastic thinking.

http://www.lespressesdureel.com/EN/ouvrage.php?id=151&menu=

Assédio

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Renan Marcondes Cevales
Assédio
São Bernardo do Campo, Lamparina Luminosa, 2016
18 x 18 cm
96 p.
ISBN: 978-8564107199

Assédio é um livro sobre a produção artística do autor entre os anos de 2011 e 2015, documenta suas obras performáticas condensando anotações, imagens, estudos e reflexões sobre sua pesquisa, que se debruça sobre a relação entre o corpo humano e os objetos que nos rodeiam no mundo.



http://lamparinaluminosa.com/portfolio_item/assedio-renan-marcondes/

Salad Dressing

Salad Dressing Cover

Tom Sowden & Performance Re-enactment Society
Salad Dressing
Bristol, Arnolfini, 2011
20,3 x 20,5 cm.
44 p.
ISBN: 978-0956888600

Publicado pela galeria Arnolfini como parte da série Cover-ed, intervenções criativas e curadorias sobre o icônico livro de artista Crackers, de Ed Ruscha e Mason Williams, publicado em 1969.

http://www.tomsowden.com/artworks/salad-dressing/