Lolo
Allan Kaprow Actividad para LOLO|Allan Kaprow, other ways.
Barcelona, Td Papeles, 2016
14,9 x 21 cm.
18 p.
Copia pirata del material de sala para la exposicion Allan Kaprow. Other Ways en Funcacio Antoni Tapies.
Lolo
Allan Kaprow Actividad para LOLO|Allan Kaprow, other ways.
Barcelona, Td Papeles, 2016
14,9 x 21 cm.
18 p.
Copia pirata del material de sala para la exposicion Allan Kaprow. Other Ways en Funcacio Antoni Tapies.
Allan Kaprow (Atlantic City/ EUA, 1927 – 2006)
Rates of Exchange
New York: D’Arc Press, 1975
Theme: Art, Artist’s Books, Interpersonal Relations
41 x 30,5 cm.
Cover: Paperback
Binding: Staple bound
Offset-Printed
[8] p.
Instruções e documentação de três conversas coreografadas em que os casais compartilharam informações através de mensagens gravadas. Estes intercâmbios ocorreram na cidade de New York em 1975 nas residências particulares dos casais que participaram da ação.
“Rates of Exchange foi realizada por um pequeno número de casais na cidade de Nova York, nos dias 22 e 23 de março de 1975, sob o patrocínio da Galeria Stefanotty. Foram utilizadas as casas, o tempo e o ambiente dos participantes. Um encontro inicial foi realizado para discutir aspectos práticos e uma revisão do evento realizado posteriormente. Tais preparativos e reflexões são parte do processo de significação do todo. Como de costume não houve audiência”.
texto do artista Kaprow retirado do livro.
Large-scale artists’ book of photographs and texts documenting the happening by Kaprow. “Rates of Exchange was carried out by a small number of couples in New York City, march 22nd and 23rd, 1975, under the sponsorship of the Stefanotty Gallery. The participants’ own homes, environs and times were used. An initial meeting was held to discuss practicalities and a review of the event followed afterward. Such preparations and reflections are part of the signification process of the whole. As usual there was no audience.” — from Kaprow’s postscript within the book.
Directions for and documentation of three choreographed conversations in which couples share information through tape-recorded messages. These exchanges took place in New York City in 1975 at the private homes of the couples who participated.
Allan Kaprow (Atlantic City, EUA, 1927-2006)
Satisfaction
New York, M. L. D’Arc Gallery, 1976
Text and design by Allan Kaprow
Photographs by Bee Ottinger
16 p.,
27.9 x 21.5 cm.
Artist’s book by Allan Kaprow documenting his happening Satisfaction, which took place in April 1976. Book comprised of images and texts by Kaprow that outline the happening. “Ordinarily, we want and manage to get a certain amount of attention from the world all of our lives. The kind, manner and quantity may change, but in any case it’s attention. It follows that others want attention from us. A sort of acknowledgement-economics is involved, a trade-off, usually with a profit motive. We would like (unconsciously of course) to get more that we give…”
Four actors–two male, two female–perform short scripts by Kaprow in which they must seek, give, or deny attention to one another. Carried out by four groups of four in 1976 in New York, this book documents one group’s performance of Satisfaction with black and white photographs and reproductions of the scripts. In a short essay at the back, Kaprow discusses the range of complex social and emotional interactions this deceptively simple exercise can (and is meant to) bring out in its participants.
Paperback, wire spiral bound
21 x 27 cm
232 p., black and white
English and German
ISBN 978-0-9569623-4-8
Auf und ab, 3 Jahre der Arbeit, und jetzt erscheinen im Verlag Gebr. König, Köln – New York, die erste Fassung LEHREN UND LERNEN ALS AUFFUEHRUNGSKUENSTE von ROBERT FILLIOU und dem LESER, wenn er will. Unter Mitwirkung von JOHN CAGE, BENJAMIN PATTERSON, GEORGE BRECHT, ALLEN KAPROW, MARCELLE, VERA und BJOESSI und KARL ROT, DOROTHY IANNONE, DITER ROT, JOSEPH BEUYS. Dies ist ein Multibuch. Der Schreibraum des Lesers ist beinahe so umfangreich, wie der des Autors.
Off and on 3 years of work and now Verlag Gebr. Koenig, Koeln – New York publishes the first draft of TEACHING AND LEARNING AS PERFORMING ARTS by ROBERT FILLIOU and the READER if he wishes with the participation of JOHN CAGE, BENJAMIN PATTERSON, GEORGE BRECHT, ALLEN KAPROW, MARCELLE, VERA und BJOESSI and KARL ROT, DOROTHY IANNONE, DITER ROT, JOSEPH BEUYS. This is a Multi – book. The space provided for the reader’s use is nearly the same as the autor’s own.
Depois de 3 anos de trabalho agora a editora Koenig, Colônia – New York publica o primeiro esboço de ENSINAR E APRENDER COMO ARTE PERFORMATIVA, de ROBERT FILLIOU e o leitor, se ele desejar, com a participação de JOHN CAGE, BENJAMIN PATTERSON, GEORGE BRECHT, ALLEN KAPROW, MARCELLE, VERA e BJOESSI e KARL ROT, DOROTHY IANNONE, DITER ROT, JOSEPH BEUYS. Este é um Multi – livro. O espaço previsto para a utilização do leitor é quase o mesmo que do próprio autor.
Detalhe da contracapa, com texto manuscrito de Marcelle Filliou.
O livro está disponível em PDF neste link: http://monoskop.org/images/9/93/Robert_Filliou_Teaching_and_Learning_as_Performing_Arts.pdf
Originalmente publicado entre 1965 e 1967, os panfletos da coleção Great Bear foram uma espécie de “quem é quem” da vanguarda nos anos sessenta: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam June Paik, Diter Rot e Emmett Williams são apenas alguns dos artistas da coleção, publicada pela Something Else Press. Todos os panfletos são grampeados e possuem 16 páginas (exceto o Manifesto, que tem 32 páginas). Enquanto todos compartilham o mesmo formato, cada título da série foi impresso em cores e tipos de papel diferentes. Fiel aos originais, cada panfleto da reedição publicada pela Primary Information foi impresso em vários tipos e cores de papel e a edição completa vem em uma caixa de madeira feita à mão. O nome da editora está em relevo seco em cada exemplar.
Originally published between 1965 and 1967, the Great Bear contributors were a who’s who of the sixties avant-garde: George Brecht, John Cage, Al Hansen, Allan Kaprow, Claes Oldenburg, Nam Jun Paik, Diter Rot and Emmett Williams, were just but a few of the artists/authors in the series. All of the pamphlets were staple-bound and 16 pages in length (except for the Manifesto issue, which was 32 pages). While they shared the same format,each title in the series was printed on varying colors and types of paper. True to the originals, each pamphlet will be printed on various types and colors of paper and the complete edition will come in a hand-made pine box.
Lista de panfletos
01. By Alison Knowles/Alison Knowles
02. A Book About Love & War & Death: Canto One/Dick Higgins
03. Chance-Imagery/George Brecht
04. Injun & Other Histories (1960)/Claes Oldenburg
05. Incomplete Requiem for W. C. Fields/Al Hansen
06. Ritual: A Book of Primitive Rites and Events/Jerome Rothenberg
07. Some Recent Happenings/Allan Kaprow
08. Manifestos/Includes work by Öyvind Fahlström, Robert Filliou, John Giorno, Al Hansen, Dick Higgins, Allan Kaprow, Alison Knowles, Nam June Paik, Diter Rot, Jerome Rothenberg, Wolf Vostell, Robert Watts and Emmett Williams
09. Berlin and Phenomena/Wolf Vostell
10. The Twin Plays: Port-au-Prince & Adams County Illinois/Jackson Mac Low
11. Diary: How to Improve the World (You Will Only Make Matters Worse)/John Cage
12. The Cursive Scandinavian Salve/ Bengt af Klintberg
13. Autobiography/David Antin
14. Popular Entertainments/Philip Corner
15. A Filliou Sampler/Robert Filliou
16. Untitled Essays and Other Works/Allan Kaprow
17. A Look into the blue tide, part 2/Diter Rot
18. The Art of Noise/Luigi Russolo
19. The Last French-Fried Potato and Other Poems/Emmett Williams
20. A Zaj Sampler/ Contains work by Jose-Luis Castillejo, Ramiro Cortes, Javier Martines Cuadrado, Juan Hidalgo, Walter Marchetti, Tomas Marco, and Eugenio de Vicente
http://www.primaryinformation.org/projects/great-bear-pamphlet-series/