Nosso Lar – Brasília

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Jonas Staal
Nosso Lar – Brasília
Rio de Janeiro/Amsterdam: Capacete/Jap Sam Books, 2015
160 p.
12.5 x 18.5 cm
ISBN 978-94-90322-45-8
Graphic design: Remco van Bladel / Studio for Graphic Design and typography
Editor: Vincent W.J. van Gerven Oei;
Editor/Proofreader: Urok Shirhan;
Translation English/Portugese: Noelly Russo.

Nosso Lar, Brasília explores the relationship between Spiritism and Modernism in Brazilian architecture. Central to the book is a systematic comparison between the spiritist city of Nosso Lar (1944), as described by the medium Chico Xavier; and the modernist city of Brasília (1956), the country’s capital as designed by Lúcio Costa and Oscar Niemeyer.

Jonas Staal (1981) is a visual artist whose work deals with the relationship between art, democracy and propaganda. He is the author of among others
Post-Propaganda (Amsterdam: Foundation BKVB, 2009);
Power?… To Which People?!(Heijningen: Jap Sam Books, 2010) and Closed Architecture (Eindhoven: Onomatopee, 2011).

http://www.japsambooks.nl/

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Fantastic Architecture

fantasticarchitecturecover-webVarious Artists
Fantastic Architecture
New York, Primary Information, 2015
13 x 20 cm
200 p.
Hardcover
120 B&W images
3000 ex.
ISBN: 9780990689607

fantasticarchitectureopen-web

Primary Information is reprinting the seminal book, Fantastic Architecture, making the book widely available for the first time since it was originally published: first in 1969 by Droste Verlag in German (with the title Pop Architektur) and later in 1970 by Something Else Press as Fantastic Architecture. Edited by Dick Higgins and Wolf Vostell, this artist’s book/anthology explores the boundaries between pop art and architecture through writings and projects by key artists and thinkers of the 1960s and earlier—from John Cage and Buckminster Fuller to Kurt Schwitters and Joseph Beuys. It will retain the book’s unique design, specifically its Mylar inserts, which add unique depth and elaborate the publication’s content.

Contributors to this publication are Ay-O, Joseph Beuys, Erich Buchholz, Pol Bury, John Cage, Philip Corner, Jan Dibbets, Robert Filliou, Buckminster Fuller, Geoffrey Hendricks, Richard Hamilton, Raoul Hausmann, Michael Heizer, Jan Jacob Herman, Bici Hendricks, Dick Higgins, K.H. Hoedicke, Hans Hollein, Douglas Huebler, Milan Knizak, Alison Knowles, Addi Koepcke, Franz Mon, Claes Oldenburg, Dennis Oppenheim, Gerhard Rühm, Diter Rot, Carolee Schneemann, Kurt Schwitters, Daniel Spoerri, Frances Starr, Jean Tinguely, Ben Vautier, Wolf Vostell, Lawrence Weiner, Stefan Wewerka.

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Teaching and Learning as Performing Arts

Robert Filliou
Teaching and Learning as Performing Arts
London, Occasional Papers, 2014

Paperback, wire spiral bound
21 x 27 cm
232 p., black and white
English and German
ISBN 978-0-9569623-4-8

Auf und ab, 3 Jahre der Arbeit, und jetzt erscheinen im Verlag Gebr. König, Köln – New York, die erste Fassung LEHREN UND LERNEN ALS AUFFUEHRUNGSKUENSTE von ROBERT FILLIOU und dem LESER, wenn er will. Unter Mitwirkung von JOHN CAGE, BENJAMIN PATTERSON, GEORGE BRECHT, ALLEN KAPROW, MARCELLE, VERA und BJOESSI und KARL ROT, DOROTHY IANNONE, DITER ROT, JOSEPH BEUYS. Dies ist ein Multibuch. Der Schreibraum des Lesers ist beinahe so umfangreich, wie der des Autors.

Off and on 3 years of work and now Verlag Gebr. Koenig, Koeln – New York publishes the first draft of TEACHING AND LEARNING AS PERFORMING ARTS by ROBERT FILLIOU and the READER if he wishes with the participation of JOHN CAGE, BENJAMIN PATTERSON, GEORGE BRECHT, ALLEN KAPROW, MARCELLE, VERA und BJOESSI and KARL ROT, DOROTHY IANNONE, DITER ROT, JOSEPH BEUYS. This is a Multi – book. The space provided for the reader’s use is nearly the same as the autor’s own.

Depois de 3 anos de trabalho agora a editora Koenig, Colônia New York publica o primeiro esboço de ENSINAR E APRENDER COMO ARTE PERFORMATIVA, de ROBERT FILLIOU e o leitor, se ele desejar, com a participação de JOHN CAGE, BENJAMIN PATTERSON, GEORGE BRECHT, ALLEN KAPROW, MARCELLE, VERA e BJOESSI e KARL ROT, DOROTHY IANNONE, DITER ROT, JOSEPH BEUYS. Este é um Multi livro. O espaço previsto para a utilização do leitor é quase o mesmo que do próprio autor

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Esgotado desde a sua primeira edição em 1970, a obra de Robert Filliou continua a ser uma cartilha essencial para as ideias radicais do artista sobre fazer e ensinar arte. Junto com os textos de Filliou, o livro inclui entrevistas com numerosos artistas próximos a ele, como Joseph Beuys, George Brecht, John Cage, Dorothy Iannone, Allan Kaprow e Diter Rot. Esta edição é um fac-símile exato do original, a fim de preservar o seu layout bilíngue (Inglês / Alemão) altamente inventivo e sua composição idiossincrática.
Long out-of-print since its first edition in 1970, Robert Filliou’s ‘work in continuous progress’ remains an essential primer to the artist’s still radical ideas on participatory art making and teaching. Along with extensive writing by Filliou, the book includes interviews with numerous artists close to him, such as Joseph Beuys, George Brecht, John Cage, Dorothy Iannone, Allan Kaprow and Diter Rot. This edition is an exact facsimile of the original, in order to preserve its highly inventive bilingual (English/German) layout and idiosyncratic composition. (via: http://occasionalpapers.org/?page_id=2945)

Detalhe da contracapa, com texto manuscrito de Marcelle Filliou.

O livro está disponível em PDF neste link: http://monoskop.org/images/9/93/Robert_Filliou_Teaching_and_Learning_as_Performing_Arts.pdf

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