Erste allgemeine Altfotosammlung

E1P6-37

Joachim Schmid
Erste allgemeine Altfotosammlung
Berlin: Fricke & Schmid, 1991.
63 p. :
21 x 14,5 cm + 1 fotografia colorida.
Texto em alemão
Impressão em offset
Inclui uma fotografia Polaroid carimbada, acondicionada em bolso plástico na parte interna da contracapa do livro.
Exemplar número 305/400.

First General Collection of Used Photographs
Year in and year out an unimaginable number of photographs are produced worldwide. Virtually every day each of us enlarges this gigantic mountain of photographs, without giving the consequences a second thought. But while photography seems a harmless leisure pursuit, the chemicals contained in all photographs pose enormous dangers to our health. What‘s more, photographs in such quantities increase visual pollution and undermine our thinking power—to say nothing of the moral dangers they pose for our children.
In these conditions it would be best if we stopped making photographs altogether—but in many cases this is hardly possible. Therefore, it is essential to professionally dispose of all photographs once they are no longer needed. Experts from East and West have warned us for decades about the impending, catastrophic consequences of the photo boom, but their pleas have fallen on deaf ears among those responsible in industry and politics. Today billions of used photographs are stored improperly in homes and businesses, waiting for desparately needed recycling facilities.
The Institute for the Reprocessing of Used Photographs, privately founded in 1990, offers a clear path out of this seemingly inescapable situation. The Institute maintains all facilities necessary to professionally reprocess photos of all kinds—or, in hopeless cases, dispose of them ecologically. We collect used, abandoned and unfashionable photographs in black and white or color, including instant photographs, photobooth strips, entire photo albums, contact sheets, test strips, negatives and slides, as well as damaged and shredded items, in both small and large quantities.
Remember, used photographs do not belong in the household garbage—they need special disposal. Many photographs can serve a new and useful purpose after reprocessing. For the sake of our environment, send your used photographs to the Institute for the Reprocessing of Used Photographs.
Participation in this recycling program is guaranteed free of charge!

https://www.lumpenfotografie.de/works/a-z/

https://www.lumpenfotografie.de/works/a-z/
https://www.lumpenfotografie.de/works/a-z/
https://www.lumpenfotografie.de/works/a-z/

An Idyll on the Beach

29_idyllbookcover

Vesna Pavlović.
An Idyll on the Beach
Belgrade: Samizdat B92, 2002
116 p.

14 x 17.5 cm.
400 ex.

Usando três fotografias encontradas em um mercado de pulgas, Vesna Pavlovic constrói um texto visual que atua da mesma maneira como a mente faz quando está tentando se lembrar de alguma coisa: baseando-se em informações disponíveis, focando em certos detalhes. A câmera de Pavlovic vagueia sobre a superfície de cada imagem, cinematograficamente construindo uma narrativa a partir de elementos díspares. Em um ensaio no final do livro, a artista compara esta estratégia de organização espacial com o método utilizado no Japão para ensinar desenho.

Using three photographs found at a flea market, Vesna Pavlovic constructs a visual text that acts in the way the mind does when it’s trying to remember something: by bearing down on available information, zooming in on certain available details. Pavlovic’s camera roams over the surface of each image, cinematically constructing a narrative out of disparate elements. In an essay at the back, the artist likens this strategy of spatial organization to the method used in Japan to teach drawing.


http://www.vesnapavlovic.com/index.php?/projects/an-idyll-on-the-beach/

Magazine

MagazineCover

Mike Nelson (Loughborough, Inglaterra, 1967)
London, Book Works /Matt’s Gallery, 2003
Offset, brochura
Design: Christian Kusters
17,1 x 24,2 cm
2.000 ex.
ISBN: 978 1 870699 62 4

MagazineSpread

Magazine by Mike Nelson is an intricate reconfiguration of a number of his acclaimed installations. Nelson has selected, edited and ordered a succession of detailed images encouraging the reader to move through different passages and states whilst negotiating recyclings of six of his previous shows. The book has no end point, no definitive reading but rather is a visual non-linear narrative which suggests an ‘Interzone’ – demonstrating a parallel experience which questions the purpose of Nelson’s constructed spaces and examines what is really going on behind the scenes. Magazine can be experienced both as a memento and as a reading of Nelson’s constructed spaces and represents a logical progression and use of the book form by the artist. We are invited to loose ourselves in a multiplicity of meaning as we continue reading – rediscovering, reinventing and redefining.

https://www.bookworks.org.uk/

Coating

coating_FJessica Stockholder (Seattle, 1959)
Coating, 2009
ed.: Incertain Sens, 2009, Rennes/Paris, França
brochura, 21cm x 21cm 48p
1500 exemplares 12 euros
ISBN 2-914291-31-0

coating_B

«Coating» signifie recouvrement. c’est un terme pictural. Pourtant le livre présente une série de photographies que l’artiste utilise comme des esquisses de ses installations. Coating est donc un livre «trans-disciplinaire», s’il en est. il montre non seulement l’intérêt de l’environnement quotidien du point de vue à la fois pictural et sculptural, mais encore l’annulation des frontières entre photographie et dessin, installation et peinture, etc. Sans doute est-il aussi la confirmation du refus de l’artiste de se déterminer en fonction de compétences disciplinaires; Jessica Stockholder s’en sert librement en fonction du projet qu’elle porte. Il en est peut-être également ainsi pour le rapport entre le livre et la galerie, puisque Coating, dont la réalisation fut assistée par Mari Linnman, a été publié à l’occasion de l’exposition de Jessica stockholder «Lumps Bumps and Windy Figures too», qui a eu lieu à la galerie Art & Essai de l’université de Rennes 2, du 16 novembre au 19 décembre 2008. [extraído do catálogo da Incertain Sens. ver site]

www.jessicastckholder.info
www.incertain-sens.org

Fonte imagem: http://www.lespressesdureel.com/EN/ouvrage.php?id=2234&menu=

Aeroporto

aeroporto

Claudia Jaguaribe, 1955 – (Brasil)
Aeroporto, 2002
Editora Códex
São Paulo
3000 exp.
capa dura

A fotógrafa Claudia Jaguaribe nasceu o Rio de Janeiro, em 1955. Formou-se em história da arte pela Boston University, Boston (Estados Unidos), em 1979. Entre 1979 e 1981, coordenou os cursos de fotografia e artes plásticas da Universidade Estadual do Rio de Janeiro; entre 1981 e 1984, coordenou o Setor de Fotografia da Fundação Rio Arte, e, entre 1984 e 1986, o Setor de Fotografia da Casa de Cultura Laura Alvim. Trabalha com fotografia de moda e de publicidade, tendo publicado trabalhos em importantes revistas do país. Também é autora dos livros Cidades (1993) e Quem você pensa que ela é? (1995). Realizou exposições individuais na EAV/Parque Lage, no Museu da República e no Paço Imperial, no Rio de Janeiro; e no Museu de Arte de São Paulo e na Galeria Camargo Vilaça, em São Paulo.

http://www.claudiajaguaribe.com.br/

aeroporto2

Kathársis

Kátharsis

Klaus Mitteldorf (1953)
Kátharsis
São Paulo, DBA, 2000
Texto: Antonio Gonçalves Filho

Projeto gráfico de Giuliano Cesar
26 x 19 cm | 116 páginas| português/inglês
53 fotos coloridas e p&b | capa dura
ISBN 85-7234-219-2

Numa seqüência de 46 fotogramas, Klaus Mitteldorf procura investigar a catarse na sociedade contemporânea, indo do primeiro choro do bebê até o grito do homem adulto.

Salvar

Fotografia velada

zozimo_IMG_4541

Fernanda Gassen e Michel Zózimo.
Álbum volume II: fotografia velada
[Porto Alegre :   Ed. dos autores],   2010.
[16] p. :   il. p&b ;   8,5 x 6 cm.

Impressão em offset
primeira tiragem de 100 exemplares numerados e assinados pelos artistas.
Exemplar nº 56/100.

zozimo_IMG_4543

Uma pequena caderneta impressa com 16 descrições de fotos veladas. A sobrecapa plástica é do tipo utilizada para guardar fotografias de passaporte.

http://www.michelzozimo.com/publicacoes.html